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20 Mind Blowing Examples of 3D Typography Designs

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3D typography designs are not possible without the aid of various editing tools such as Adobe Photoshop and Adobe Illustrator. Some also used 3d modelling software such as Cinema4D, 3DS MAX, Blender, Maya, Hexagon, Sketchup, Carrara, LightWave 3D, Silo, ZBrush and so on. Most of the workflow will tell you that they’ve done the art using the combination of any of these software and Adobe Photoshop.

They simply created 3D models using 3d software then integrate it to Adobe Photoshop to polish the design and add other details. The result won’t be good enough if you are not good in typography.

If you do not know the basics of typography then probably it will be hard for you to create such realistic three dimensional designs. Remember, the prowess of your design is exemplified best on how you do your typography.

According to Nicholas Lea, “It’s certainly more interesting for me as an actor, but I think it’s also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.”. The same with designing, designer as an actor should put his art in a perspective views. Imagine life without perspective, you do not have any trials. Imagine your world without perspective; you do have a flat surface earth. Imagine art without perspective, it doesn’t have any 3rd dimensional meaning.

3D typography designs are something we’ve seen a lot of recently and many designers created their own version of art. To give you the examples of these typography works, below is a mind blowing collection of 3D typography designs that will surely amaze you and of course, inspire you to create mind blowing designs.

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Written by Manuel Garcia

Manuel Garcia is the founder and the brain behind Designrshub.com, a community that provides High Quality Design Inspirations and Resources. He’s a student from Philippines who loves to write for design community and dedicated in sharing inspirational resources. He fell in love with creative writing when he was 15.

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